AUCO MODE
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Materials

The cloth decides more than the pattern does.

A design succeeds or fails in the material. We source against hand, weight, drape and behaviour under construction — not against a swatch card and a price.

Image to supply
Plate MT1 · 16:9Fabric in fall: a bolt unrolled over a table edge so the drape reads. Neutral ground, soft side light to show surface and weight.
Image to supply
Plate MT2 · 16:9Trim and component flat-lay: thread, zip, interlining, boning, labels. Ordered like a spec sheet, shot straight down.
01How We Source
01

Against behaviour, not description

“Silk crepe” is not a specification. Weight, width, hand, recovery, how it takes a press and how it behaves on the bias are.

02

With alternatives

Where a material is a risk — long lead time, single supplier, unstable in production — we propose a second option before you commit.

03

Tested in construction

Candidate cloth is sewn and pressed before approval, not judged from a swatch. Some fabrics only reveal themselves at the seam.

04

With lead time confirmed

Supplier lead times are confirmed and built into the plan. Material is the most common reason a delivery date moves.

05

Your nominated suppliers

If you already have mills or trim suppliers, we work with them and manage the logistics into production.

06

Full component list

Lining, interlining, thread, boning, tape, zip, hook, label, hangtag, polybag and carton — all specified, all in the BOM.

02Material Groups We Work With

Fine & fluid

Silk crepe de chineGeorgetteChiffonHabotaiSatin-back crepeLight viscose

Structured

Wool suitingGabardineDuchesse satinTaffetaMikadoHeavy crepe

Decorative & fragile

TulleLaceSequinned clothBeaded panelsJacquardCoated & metallic

Specific mills, agents and prices are shared per project under enquiry, not published.

03Handling Difficult Cloth
Needle & thread
Selected per fabric, changed at defined intervals, not run to failure
Tension & feed
Set and tested on the actual cloth before the first production unit
Pressing
Heat, pressure, time and pressing aids set per material, tested on offcuts
Cutting
Single-ply or restricted-ply for unstable cloth; one-way and napped fabric planned at lay
Embellished cloth
Beads and sequins cleared from seam lines before joining, secured at the cut edge
Storage & handling
Fragile and coated cloth rolled rather than folded; work in progress protected in the line
Start a Project

Send us the fabric you are worried about.

If you are unsure whether a cloth will hold your design in production, that is exactly the question to bring us.